As a fan of many of Wondery’s podcasts, I instantly became hooked when “Over My Dead Body: Joe Exotic” was first released last fall. I appreciate good investigative reporting, and host Robert Moor actually went out to Oklahoma to meet Joe Maldonaldo-Passage (the name he now goes by) and recorded what transpired during much of his time there. I had never heard of Joe Exotic before the podcast, but Moor’s production, voice and storytelling left me eagerly awaiting each new episode (the series was only five or six episodes originally).
Sure, there were parts that made me cringe, and I absolutely do not agree with breeding and selling large cats. I felt both empathy for Joe (after hearing of what he dealt with as a young adult) and anger towards the narcissism that eventually led to his downfall. It’s also clear Joe mistreated both the animals at his park and his employees, so I’m not one in the “Free Joe Exotic” camp. The podcast series slowly delved into Joe’s feud with Carole Baskin, and her voice is also heard on the podcast, and that is the narrative that the podcast stayed with until the finale.
So when I heard Netflix was planning to release a docuseries called “The Tiger King,” I wasn’t sure I wanted to go back and relive that world again. It was hard enough the first time around. I watched part of the first episode and turned it off after about 20 minutes. It came across as exploitive and salacious, and I wasn’t sure I liked the direction it was going in. But then as the internet exploded with discussions about the series, I gave in and binged it in a few days. At the time I’m writing this, 64 million households and counting have watched “The Tiger King.” I guess I felt like I needed to go back and give it another try, especially since I already knew the backstory from the podcast and wanted to compare the two. It’s interesting that there were all these journalists working on this story simultaneously over the course of several years, before Joe was even arrested and convicted of murder for hire.
I grew frustrated with the direction of the Netflix series. I understand it’s the work of the filmmakers (and bless them for spending so many hours upon hours interviewing the key players involved) but the second episode, “Cult of Personality,” left me scratching my head. I never knew there were so many people running exotic animal operations in the United States, and they all seem to be more than a little off their rockers. I had also heard about the mystery of Carole Baskin’s missing husband from the podcast, but the documentary seems to have unleashed a whole new level of interest in that case. (I will admit the disappearance is more than a little fishy, but there is no concrete proof of her involvement at this point). I grew frustrated that the documentary also made it look like Joe Exotic was a real country-music star, and I knew from the podcast that Joe can’t even sing, much less write music. I believe the real songwriters are credited at the end of the series but who was actually looking for that in the credits?
And as for the “bonus” episode of “The Tiger King,” where E’s Joel McHale interviews several people from the series, skip it if you haven’t already. He comes across as condescending and treats the whole episode as a big joke. It was completely pointless.
I may feel more connected to the podcast because I’m also a journalist and feel it depicted the story more honestly without trying to be sensational. I was really surprised at the end of the docuseries when statistics about the number of large cats that exist in the United States appeared. That information almost seemed to come out of nowhere. In my opinion (and apparently Carole Baskin’s), Netflix chose to focus more on the crazy antics of the characters rather than the opportunity to educate the public about the importance of preventing the breeding and selling of large cats.
If you want to check out the podcast, it’s available on all podcast platforms. Wondery has released bonus episodes that feature uncut interviews Robert Moor conducted, but after listening to two of them, I don’t feel like they add anything to the story. There are awkward pauses all throughout and it becomes clear why things are edited the way they are in the final product. Texas Monthly also produced a great piece on the story.
I’d also recommend checking out the podcast “Life is Short with Justin Long,” where Long interviews Moor about his experience researching and producing the “Joe Exotic” podcast.