Round-ups are some of my favorite posts to read, and hopefully this one will be no exception. In this post, I’ve gathered up my top five posts all about true crime–whether it’s discussing theories behind the addiction to missing people or specific cases that have stuck with me over the years.
Situational awareness. A glimpse into the dark side of humanity. The adrenaline rush. In this post, I take a deep dive into Three Reasons Female Writers are Addicted to True Crime.
The Case of Mike Williams. This story out of Florida intrigued me from the moment I learned about it, from the shifty wife to the “best friend” who sold him a hefty life insurance policy before he went missing, to the theory that Williams fell into a lake during a fishing trip and was eaten by alligators. Nope and nope. The update post shed light on recent developments.
Why I find the Parcast podcast Unsolved Murders is so intriguing.
As a mother, this case haunts me. Hopefully the loved ones of Lauria Bible and Ashley Freeman can find closure soon.
It’s Dec. 31, and a lot has happened with my writing this year. Because I’m such a fanatic about listening to EOY wrap-ups from other entrepreneurs I follow, I thought it might be a good time to go over some of the accomplishments and setbacks I’ve experienced this year. Let’s get right to it.
2019 started with a bit of a quandary. To be honest, I was working in a job that made me question my skills and talents on a regular basis. I think a lot of it was that it was a structure (the company was a nonprofit organization) that didn’t have a lot of built-in support for my position, in addition to converging project management timelines, which have never been a strong skill set for me. By spring of this year, I was feeling unaccomplished, unappreciated and my self-esteem was so low that I was having a hard time writing creatively, despite the fact that I had a lot of projects in the pipeline.
In May I was approached by a local magazine I’ve freelanced for frequently in the last 10 years, and when I had the opportunity to interview for the editor position, I jumped. Even though the job would bring its own set of challenges, I knew most of the people that worked there already and knew the tone and style of the publication like the back of my hand.
However, because I’m always so concerned about not burning bridges in the publishing industry, I gave a long notice to my job and had the first magazine deadline overlap with my last two weeks at the job I was leaving. My editorial job is remote, but juggling e-mails, phone calls and planning meetings while trying to introduce myself to the writers and photographers and work on transitional documents proved to be quite challenging. The first deadline of the magazine also coincided with our annual family vacation (which we had booked with some family friends at a beach house in Florida) so I felt like I was editing stories and proofreading pages almost the entire time I was on vacation. That was a tough time and I still feel like I never got a proper vacation, although I did get an extra paycheck out of the overlapping job duties I did for two weeks. I’m not sure it was worth it, though.
Here is a breakdown of everything related to writing/publishing I worked on this year:
Since August, I’ve produced six issues of the magazine I work for, Lake Norman CURRENTS, and one newcomer’s guide that the company also produces for that magazine. I’ve personally written two advertorial articles, six Editor’s Letters and 23 feature articles ranging from 250-650 words and 11 business profiles, in addition to various calendar of events sections and product spreads.
For WOW! Women on Writing, I wrote 26 blog posts, interviewed 13 writing contest winners and finalists, helped judge two flash fiction contests, and wrote one e-zine article in October about my experience attending MurderCon.
For Writer’s Digest, I helped judge one of their self-published book contests, which required me to read and review 22 books.
Writing Contests: I didn’t have any luck with writing contests, but I entered six short story contests and two creative non-fiction contests. I also entered two pieces in literary journals, where I received one rejection and am still waiting to hear back from the other. I also published my young adult novel, Between, on Wattpad back in August, and it has received almost 500 reads at this point.
I’m also in the process of developing a true-crime podcast, and have purchased some of the equipment already and have my first episode’s script written. I hope to get that off the ground by the end of January, so stay tuned!
I’ve been feeling a bit discouraged, because I had wanted to accomplish more with my creative writing last year, but considering I’ve made slightly more money in my actual career this year, and produced a heck of a lot of valuable and helpful content and human-interest stories, I think I can settle back and give myself a much-needed pat on the back. I’ll do a future post soon on some of my goals for this coming year.
How did you do with your writing projects this year? I’d love to hear some of your accomplishments, goals, and “never doing that again!” stories!
A few months ago, I heard a podcast episode that pitched the product, the “Start Today Journal.” I started to shrug it off at first, because as much as I love writing, I haven’t had too much luck with journaling over the years. But as motivational speaker and entrepreneur Rachel Hollis began explaining the methodology behind this journal, I grew more interested.
What a lot of us fail at is having too many goals at one time, which can lead to overwhelm, causing us to beat ourselves up time and again when we don’t achieve any of them. Hollis developed a practice that focuses on writing down ten goals over and over. And here’s the kicker—you write down those goals as if they have already happened.
This practice starts you out by doing an exercise where you envision what you want your life to be like in ten years, down from the kind of home you live in to what kinds of vacations you take. Then you envision what types of dreams you need to achieve in order to accomplish that type of lifestyle.
I’ve been journaling with this method for almost three months, and my goals are starting to become so ingrained in my mind that I do things to work toward them without even putting much thought into it. I start out each day by writing down five things I’m grateful for, and these vary depending on the day. Then I write down the same ten goals, in the exact same order, and at the end, I write which one I’m going to achieve first. I do this with my first cup of coffee, so you can see that it isn’t a process that takes very much time out of your day. But it helps set the day on the right path.
I’ve written things like what my annual income is (again, as if this has already happened), how much money my podcast is generating per month, that my kids went to college debt free, etc. At the very end of the page you write down which goal you achieved first. This changed for me after the first week, when I thought realistically about what goal I have the most probability of achieving first. My podcast is still in development, for example. So every day on that line, I write, “I’m an award-winning fiction and non-fiction writer.”
I didn’t realize it when I first ordered the journal, but each one has enough pages for 90 days worth of goal-setting and dreaming. This helps you flip back pretty easily and see what kind of progress you’ve made in a short amount of time. My husband was so encouraged by watching me use my journal that he already bought me a thick, lined blank journal with a cute cover that I can use for my next 90 days worth of goals. I’m ready to start 2020 off with a bang!
Few things make me happier than writing about pop culture. I just completed a post for WOW! Women on Writing about why I loved the Netflix Original Series “Stranger Things.” One of the things I couldn’t get to in my post was Ingrid Michaelson’s tribute album to the show, so I decided to continue with the theme and write about the collection of songs here.
I hadn’t yet watched the show when I heard about the release of Michaelson’s “Stranger Songs,” and I waited until I was familiar with the show before downloading the album. There were a few songs that immediately drew me right in, starting with “Hey Kid,” a song about the sweet relationship between the papa bear Hopper and the tender-hearted but badass character “Eleven.” From there I had the song “Hate You” on replay. It made me feel so much empathy for Steve, who was portrayed as such a jerk in Season 1 but who became one of my favorite people in the world by Season 3. The song describes his relationship with Nancy and how he knew he couldn’t hold on to her, as much as he wanted to, but he still couldn’t bring himself to hate her. “Bad Things” and “Pretty” also focus a lot on things “Eleven” goes through during the course of the first three seasons. “Christmas Lights” is another one of my favorites, because as a mother of a teenage son, I could totally relate to the wild devotion Joyce has in the search for her son Will in Season 1. “Take Me Home” is the quintessential coming-of-age ballad that will whisk us all immediately back into our childhood and teenage years.
I think though, that even if you haven’t seen the Netflix series, you won’t be disappointed by this album. Ingrid Michaelson fans who appreciate good songwriting layered with the musical stylings of some of our favorites from the 1980s (“Christmas Lights” features chords reminiscent of Cyndi Lauper’s “Time After Time” will find plenty to put on repeat here.
The following is a talk I prepared for a writers’ group panel discussion I participated in a few years ago. It’s the story of how I got my first cover story for a magazine, as well as a little back story on how my freelance writing career began. Enjoy!
Hi there, my name is Renee Roberson, and I’m so excited to be here with you all this evening. It will probably come as no surprise to you, but I always wanted to be a writer when I grew up. I didn’t really care what I wrote when I was a child, and let me tell you, I wrote a little bit of everything. Song lyrics, poems, essays, “pretend” news stories, book reviews, short stories. You name it—I probably wrote some pretty embarrassing versions of it.
While I’ve always loved reading magazines, I didn’t really believe I could actually write for one until after I had my daughter back in 2003. At the time I was working at a public relations firm, but really wanted to figure out a way to work from home. I started by reading a few books on the topic. Then I visited writer’s forums that discussed freelance writing. I didn’t know much about how it worked, but I knew I wanted to learn more, especially if it meant I could work from home. I started out gradually by sending some story ideas (otherwise known as query letters) to local magazines, and was surprised to make a few sales pretty quickly.
I then pitched a website called iParenting, and they also hired me as a contract writer. The Walt Disney Internet Media Group eventually purchased iParenting, which resulted in an increase in my per article rate and looked great on my resume. Those clips helped me get job as a freelance correspondent for the Lake Norman bureau of The Charlotte Observer, and eventually a few regular columns.
I’ve been a freelance writer since 2004. I’ve written for newspapers, websites, magazines and blogs. Sometimes I still can’t believe people pay me to write. I’ve also spent time in the editor’s chair for two local parenting magazines, so I’ve seen my fair share of what types of query letters work and which ones don’t. But if you have ideas and you know how to execute them, magazine editors will notice you, and they are always happy to find reliable and creative freelance writers. I highly recommend giving it a try if you haven’t yet. If you dedicate the time to regularly pitching your story ideas, you can make a living as a freelance writer. It may take a few years for you to earn the income you want, but it can happen.
I have short blog post I wrote a few years I ago I would like to share with you. It gives you an idea of what kind of legwork you might do before pitching a magazine feature. Granted, not all article queries will require this much work beforehand, but you should always be willing to put a little research into whatever story it is you are pitching.
The Hunt for a Human Interest Story (WOW! Women on Writing)
A few years ago, I was working out my frustrations at the gym, trying to figure out where my writing career was going and brainstorming a few new magazine article ideas. As I was leaving through the front lobby, I noticed a flyer about an upcoming swimming fundraiser. For some reason, even though I’m not a big swimmer, I picked it up and skimmed it on my way out to the parking lot. The flyer mentioned that a local woman named Lizi was competing in a series of races in honor of her upcoming 40th birthday. The flyer had her blog address printed on it so I investigated further once I got home.
There, I discovered Lizi had Type 1 diabetes and learned more about her birthday challenge. She was signed up to compete in a variety of races, involving swimming, sprint triathlons, cycling and running, by her 40th birthday, which she called “Forty 4 Forty.” I knew I had to somehow get in touch with this woman, because I thought her story would be perfect for one of the regional magazines I had been trying to break into.
But her blog didn’t have any contact information. I figured she was local but still needed more details for a query. On a whim, I e-mailed a personal trainer I had been working with at the time and asked if she knew who the woman was. I was in luck, she did! She quickly e-mailed me back with the woman’s e-mail address. I e-mailed Lizi, who also turned out to be a nurse, to let her know I was interested in pitching a story about her, and she responded happily and graciously. We chatted on the phone so I could get some pertinent details to include in my pitch, and I let her know I’d be in touch.
Not only did the editor I contacted respond to me quickly, but she also complimented me on my story pitch. In the end, I got to meet an inspirational member of the community by contacting Lizi, and as a bonus, my article ended up as the cover story of the magazine a few months later. Lizi called me and laughed about the fact that she had become a local celebrity and all the nurses at her doctor’s office were telling her that the magazine with her cover shot was sitting in the waiting room.
These days, I work with several local magazines regularly and have tackled some tough human-interest stories, but I still get a thrill watching the story come alive and to fruition. If you come across a story that intrigues you, I say to always go for it!
Here are a few do’s and don’ts for pitching magazines:
Don’t send out scattershot query letters. Meaning, don’t write up one query letter and send out to multiple magazine editors at once. Editors are much more likely to consider you for an assignment if you are familiar with the magazine you’re pitching and make your query personalized. Spend a little time skimming through some recent issues of the publication, and get a feel for how it is laid out. Mention recent published articles that you connected with to show your familiarity.
Do have an interesting lede (or hook) pertaining to your article topic that illustrates why it would make a good piece for a magazine. You only have a few seconds to catch an editor’s eye. Make them count.
Do pitch different types of magazines, both big and small. It’s a great experience, and over time, you’ll become more comfortable crafting your ideas and hitting the send button.
Don’t send your ideas to the wrong person. Study the masthead of the magazine you are hoping to query. Publishers typically focus on the sales side of a magazine and aren’t really connected to the editorial side. Your best bet is to address your query to a specific editor.
Do pick up a copy of the latest version of The Writer’s Market. You will find listings of magazines you never even knew existed, including editorial contact names, pay rates, and what types of articles specific markets are seeking.
Below is an example of a query letter that resulted in the sale of the article to The Writer.
Dear Ms. (Name of Editor),
As a freelance writer, I do not hide the fact that I am a magazine junkie, and I particularly enjoy reading magazines like The Writer that offer helpful, informative tips for my career in a straightforward format. In recent issues, I enjoyed Julia Tagliere’s article on how to write about friends and families without alienating them in the process (October), as well as Debbie Geiger’s advice on how to use social-networking sites more efficiently in freelance writing (August).
After I had my first child six years ago, I began reading every book I could get my hands on about freelance writing so I could learn how to develop a career that would allow me to set my own hours. Like many aspiring parent writers, I sent off a few article ideas via snail mail to the big parenting publications like Babytalk, Parents and Parenting. For the most part, I never got any responses back, except for one horribly photocopied stock rejection letter that almost crushed my dreams of writing about parenting forever.
However, I took some of those same queries and sent them out to a few local regional parenting publications, and within a few months, had made several sales. For the next few years, I wrote locally and even got a job as a stringer for the daily newspaper. Eventually, I took a job as an associate editor at the regional parenting publication that had given me my first break, where I made a startling discovery — there was a lot more opportunity for publication in regional parenting publications than I had originally thought.
I always take a special interest in the “Market Focus” of your publication, and I’ve noticed there is one market in particular that hasn’t been profiled in the past two years — regional parenting magazines. Like me, many writers think if they don’t live in a city like Atlanta, they really don’t have any business writing for Atlanta Parent. Not so, I realized. Regional parenting publications may have a much lower pay scale than the nationals, but most writers have a better shot of getting published in these magazines, and if they market themselves properly, they can generate a steady reprint income. I’d like to propose a 1,200-word article titled “Writing for the Other Parenting Magazines” for your “Market Focus” section. In the article, I will discuss the types of articles and essays regional parenting publications seek, the importance of checking editorial calendars, lead times, reprint possibilities and evergreen topics many of these publications seek each month. “Writing for the Other Parenting Magazines” will also include a sidebar titled “Five Ways to Sell a Parenting Article in a Regional Publication.”
I am a freelance writer whose work has appeared in numerous regional parenting publications. I am a former associate editor of Charlotte Parent and also a contributing writer at www.iParenting.com.
My article, “Alternative Treatments for Autism,” recently took first place honors in the magazine feature article category of the 2009 Writer’s Digest Annual Writing Competition. I am including the clip in the body of this e-mail.
I look forward to hearing from you regarding this article idea.
About the Book:
What does it mean to belong? In a place? With a person? To a family? Where do our senses of security and survival lie? I Don’t Belong Here ruthlessly investigates alienation during moments of transit and dislocation and their impact on women’s identity. These twenty essays—ranging from conventional to lyrical to experimental in form and structure—delve into the root causes of personal uncertainty and the aftershock effects of being a woman in an unsafe world. Provocative, authentic, intimate, and uncompromising, Melissa Grunow casts light on the unspeakable: sexuality, death, mental illness, trauma, estrangement, and disillusionment with precision and fortitude
Memoir is not something I read a lot of, although I’ve been trying to remedy that over the past few years with books such as Wild and The Glass Castle. I even took a course with Grunow a few months ago on writing creative nonfiction so I could sharpen my own skills. I was curious to see how her teaching style related to her own work, and I wasn’t disappointed.
First of all, I love the theme of the book; after all, who here doesn’t relate to feelings of isolation and not fitting in? I Don’t Belong Here is divided into four distinct sections: “Unspoken,” “Displaced,” “Suppressed” and “Misunderstood.” She describes the death of a part of herself after a violent sexual assault by a boyfriend in the piece “Before and After.” The description of her experience is so painfully raw and honest that the reader wants to weep along with her.
In “Fire and Water” Grunow dives into the differences between the destruction fire and floods can cause to a home, and an analysis of the impact each one leaves behind. “A flood is worse than a fire,” a co-worker tells her. “After a flood, you’ll worry whenever it rains.” She describes the damage a heavy rain and flood caused to her home in Michigan, and the effect of storms and tornados in her childhood years living in a mobile home. Grunow reminisces about riding her bike with her childhood friends, picking up the metal skirting from mobile homes that was blown about, balancing the pieces on her handlebars and cutting her knees as she pedaled. Anything, everything, can cut something else, she remembers.
Grunow’s writing is rich, lyrical, and draws parallels the one would never even think of, making for a savory reading experience. She digs deep into her own psyche while exploring her decision to get multiple tattoos during her college years.
I give workshops, presentations, trainings, all as a professional who appears professional. Underneath those layers, though, my skin sings a different song, a ballad of many verses comprised of love, pain, mistakes, imprinted memories. I could especially relate to the piece titled “We’re All Mad Here: A Field Guide to Feigning Sanity,” where she writes about doctors, You will burn through doctors the way a middle school girl burns through crushes.
I highly recommend “I Don’t Belong Here,” whether you’re looking to dive deeper into the world of memoirs and creative nonfiction, or seeking ideas for how to expand your own writing. There is much to dissect here, and I promise you by the last page, you will be ready to take a good, hard look at your own imprinted memories and how they have shaped your world.
About Melissa Grunow:
Melissa Grunow is the author of I Don’t Belong Here: Essays (New Meridian Arts Press, 2018) and Realizing River City: A Memoir(Tumbleweed Books, 2016) which won the 2018 Book Excellence Award in Memoir, the 2017 Silver Medal in Nonfiction-Memoir from Readers’ Favorite International Book Contest, and Second Place-Nonfiction in the 2016 Independent Author Network Book of the Year Awards. Her work has appeared in Creative Nonfiction, River Teeth, The Nervous Breakdown, Two Hawks Quarterly, New Plains Review, and Blue Lyra Review, among many others. Her essays have been nominated for a Pushcart Prize and Best of the Net and listed in the Best American Essays 2016 notables. She has an MFA in creative nonfiction with distinction from National University. Visit her website at www.melissagrunow.com or follow her on Twitter @melgrunow.
A few months ago, I got the opportunity to attend the writing conference of a lifetime. I had heard about Writers Police Academy, which allows writers to learn about police procedure and investigations from law enforcement experts. But when I learned this year’s academy would focus all on the crime of murder, and that it was only three hours away from where I live, I hopped on registration the second it opened. The conference lasted four days and was crammed full of keynotes, networking events and classes that took place both at our hotel and at the Sirchie Training Facilities in Youngsville, N.C.
I took classes on things like “Murder Mayhem,” “Buried Bodies,” “Glorious Shoes: Footwear Evidence,” “Prints on the Page,” “The Art of Interrogation” and more. I also was fortunate enough to land an assignment detailing my experience in WOW! Women on Writing’s Fall e-zine, which explores the dark and twisty side of writing. Read my article here and then check out the other articles chock full of useful information on writing about mystery, thriller, crime and suspense. You won’t regret it.
Normally I try to reserve Mondays for book reviews and I’ve read a lot of great ones in recent months! Of course I snatched up The Perfect Couple from one of my favorite authors Elin Hilderbrand when it became available in June. I read it over vacation and it was the perfect escape. I also finally finished Wild by Cheryl Strayed (it had been on my Kindle forever) and checked out the motivational book Girl, Wash Your Face by one of my new favorite motivational speakers/entrepreneurs, Rachel Hollis. I’ll try to get some of these reviews put up in the next few weeks.
But for today, I’ll try to provide an overview of what I’ve been writing about the past several months. I’m working on revising my contemporary young adult manuscript, Under My Skin, and am putting the final tweaks on another manuscript, Between, before I finally start shopping it around to agents! A few months ago I entered a short story I wrote, “The Name You’re Not Supposed to Call Women,” in the 2018 Women’s National Book Association Writing Contest in the Young Adult Category. Imagine my surprise when I received notification that it won an Honorable Mention (fourth place). I am so proud of this story, as I wrote it to help process an experience I went through in my late teens. You can read the final version here.
I had a wonderful family vacation in July on the gorgeous Anna Maria Island off the Gulf Coast of Florida.
I’m still dreaming about that place, and grateful that a visit to the The Ringling Museum in Sarasota, Fla. inspired yet another short story, “The First and Last Time I Ever Saw a Clown Cry.” I entered it in a flash fiction contest and anxiously await the results. Here is a snippet from it:
I don’t remember exactly when the first hints of smoke hit us, or when Mother and Father realized we were in trouble. Father scanned the crowd until he spotted the grotesque orange and red flames shooting up one wall of the tent. Soon, screams of “FIRE” were reverberating throughout the crowd. The band stopped playing. Throngs of people began thundering up and down the rows of metal bleachers while trying to figure out the quickest exit. I clutched Mother’s arm as she tried to talk to Father over the mayhem. We couldn’t get down the stairs of the bleachers fast enough and were crushed from behind by the people trying to force their way through the crowd.
Tomorrow, I’ll be at WOW! Women on Writing blogging about the importance of seeking out professional development in your career. Be sure to stop by and check it out!
Sometime last year I came across a video on the case of Tara Calico, who vanished from her hometown in Belen, New Mexico after heading out on her daily 34-mile bike ride on her mother’s Huffy (Tara’s bike had a flat tire and needed to be repaired). The year was 1988 and Tara was 19 years old. Her mother knew she wouldn’t be gone too long because she had an afternoon tennis date with her boyfriend.
Witnesses saw a white pick-up truck following closely behind her as she took off, and although she had only planned on taking a short ride, she never came home. After the initial 24-hour waiting period, police traced her route and found her Boston cassette tape lying by the side of the road about three miles from her home. Tara was described as outgoing, studious, and hard-working. She was attending a local college and working part-time when she vanished, so her family believed immediately that she wouldn’t have left on her own.
Some time later a Walkman believed to have belonged to Tara was discovered about 19 miles away at a local campground, along with what looked to be bike tracks or scuffle marks.
About nine months after Tara vanished, a woman came across a Polaroid photo in the parking lot of a grocery store in Port St. Joe, Fla. A white cargo van had been previously parked in the spot where the photo was found. The photo showed a young woman and an even younger boy both bound and gagged on a bed with some striped sheets.
The picture appeared to have been taken in the back of a white Toyota cargo van with no windows. When Tara’s mother saw the picture, she insisted the girl, who had a V.C. Andrews novel placed beside her, was Tara. Andrews was Tara’s favorite author. Other people speculated the boy with Tara was Michael Henley, a nine-year-old boy who had gone missing in the New Mexico Zuni mountains in 1988, but his remains were later found near the area where he went missing two years later.
The case has never been solved, but with the renewed interest of the former sheriff, Rene Rivera, and an old classmate of Tara’s, Melinda Esquibel, closure could be on the horizon. There are rumors in the town of Belen that two teenage boys were possibly involved in the abduction and subsequent murder of Tara, and that parents of the boys helped cover it up. When Esquibel began working on documentary of the case, the sheriff’s office in Valencia County gave her access to what little files existed on the case. What she found was in shambles and it was evident files had gone missing over the years. She began her own investigation that has been turned into a podcast, Vanished: The Tara Calico Investigation. I just started listening to the podcast and am curious to see what unfolds.
A lot of the fiction I write is inspired by true crime stories, and the Tara Calico case is no different. After hearing the initial story, I envisioned a young woman and boy held in captivity together for several years, and what would happen when they finally got the courage to escape. I wrote a short story called “The Polaroid,” and recently found out it placed first in the Suspense/Thriller Category of the Writer’s Digest Popular Fiction Awards.
I’ve written for WOW Women on Writing’s blog, The Muffin, for awhile now, and periodically I like to do a round-up of my recent posts, which all revolve around the writing life. Here are a few from the past few months–hope you find something useful!
Going “There” with Your Writing
Because it’s National Novel Writing Month (no, not participating this year!) I’ve noticed all the writing trade magazines and websites are chock full of inspirational articles on how to write a great plot twist and craft a page-turning dilemma. One such piece of advice centered on writing what scares you—you know, dig into those deep, dark fears a la Stephen King It style. Read more . . .
How Mysteries Inspire Our Writing
I’ve always been a fan of mysteries. I read them as a child and then ventured out into reading authors like Mary Higgins Clark in my teens. Nowadays, I prefer more of the true-life mysteries. When revamping my writing blog a few months back, I decided to dedicate one day a week to writing about missing persons or homicide cases and offering my own theories about what might have happened. Read more . . .
The Stories Behind the Authors
This seems like a busy time of year for authors! I follow a lot of them on social media, and have seen more posts about book release tours than usual. Sioux also wrote about one a few days ago. I got to attend a special event with one of my literary heroes, young adult novelist, John Green, last week. Read more . . .
When the Flood Gates Open
If you’ve read any of my posts over the last year, you know that I’ve been somewhat blocked in my creative writing. I have a few different manuscripts that I’ve been tinkering with, but those often get put aside due to my paying freelance gigs. But in my last post, I put down in writing that I was revamping my personal blog so that I could get back into a regular writing schedule. Read more . . .